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Just as beauty is mysterious, the inverse is true too... Mysteries are beautiful.
 
 

If I could visit any moment in Magic's history, it would be Paris in the late 1800s. Let me tell you why.


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Magic is about spending time with the unseen, the unquantifiable, the inexplicable. A magician leads you through the looking glass to show you things that until a moment ago, you would have sworn were impossible. It takes real courage to release your grip on certainty and step across the threshold into the unknown, but if you're willing, Magic offers proof that there is more to this beautiful cosmos than meets the eye, and furthermore that you yourself are more powerful than you realise.


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There’s also a dark side to being an illusionist: the hidden architecture beneath.

We must keep secrets on behalf of others, so that they might witness wonders that would otherwise be invisible.

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Magic's roots stretch back beyond ancient Egypt's temple priests into prehistory, and it has always been at the forefront of human culture. Before every great age of invention, somewhere there was a magician showing us what the future might look like. We are dreamers who fall so deeply in love with a dream, we'll make it real even if — and especially if — it means bending the laws of physics. Magicians don’t wait for permission from science, they manifest the future. In the 1890s, Georges Méliès — himself a magician — watched Joseph Buatier's astonishing illusions and Henri Rivière's intricate shadow puppetry, and when he realised the Lumière Brothers' invention could bring those stories to wider audiences, the Age of Cinema began.

 

Magic in all cultures has taken its own distinct and beautiful path, shaped by local tradition, ritual, beliefs and art forms. In Europe, conjuring moved from street corners and market squares into something altogether more refined when visionary performers opened the doors of society's most elegant spaces. Stars like the English-American Adelaide Herrmann, Italy's Chevalier Pinetti, Austria's Johann Nepomuk Hofzinser, and France's Jean-Eugène Robert-Houdin all discovered that intimate indoor venues and society’s grandest stages allowed an entirely new kind of Magic to develop: as sophisticated as any opera, as precise as any ballet, and for the first time doing impossible things with delicate materials that wouldn’t have survived bustling market squares: silk, glass, playing cards and more.


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When the Belle Époque arrived, a Golden Age of Magic was born, and Joseph Buatier - one of my greatest heroes, who I'd love to meet - was at its heart. He was brilliantly multi-skilled artist - a very talented painter, a brilliant storyteller, and someone who understood magic. As a young man, his family had expected him to become a priest, but in Magic he found He dreamed up the most extraordinary stories and went to enormous lengths to bring those visions to life with dazzling crystalline clarity. A household name in his day, Buatier had an absolute, uncompromising commitment to beauty in everything the audience sees. And in everything they don’t.

 

World travel was becoming easier, and the brilliance of different cultures' approaches to Magic could finally meet and cross-pollinate. The results were extraordinary: superstardom awaited Minerva, Queen of Mystery,  Harry Houdini, Maskelyne and Devant - and many more. Today the art form has never been more alive — from arena spectaculars and social media to an impromptu miracle for a friend in a coffee shop. Magic never stops evolving, because wonder never goes out of fashion.


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I have a particular personal connection to this project. In my early twenties I lived in Montmartre, just down the road from where Le Chat Noir stood — that neighbourhood’s wild magical energy, its ghosts, its refusal to separate art from life, all shaped everything I would become. The Fumiste movement at the Chat Noir gave birth to cabaret, which I believe is the finest setting for Magic - because the magician and audience aren’t separate - we all create the show together, live, in the moment.


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For me, Joseph Buatier represents the essence of a truly great magician: rigorous, visionary, poetic, inspiring - and completely, helplessly in love with the impossible.


In the Chat Noir show, I perform my homage to Joseph Buatier. Not 

 

I hope by the time this evening ends, you will be too.

 

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